Recording Secrets For The Small Studio - Additional Resources (1st Edition Archive)

Chapter 1: Recording A Machine

(This page contains archived resources for the first edition of Recording Secrets For The Small Studio. You can access updated resource pages for the current edition here.)

Audio Files

(To download all WAV examples at once: 31MB ZIP)

  • Types Of Signal Degradation: I’ve subjected the following unmastered mix Ex01.01: WAV/MP3play_arrow to a variety of the signal degradations mentioned in Section 1.4 of the book, so you can learn what each sounds like and therefore troubleshoot your own setup problems more quickly: two types of analogue clipping distortion Ex01.02: WAV/MP3play_arrow Ex01.02: WAV/MP3play_arrow); digital clipping distortion Ex01.04: WAV/MP3play_arrow; glitching from digital-clocking or software-driver issues Ex01.05: WAV/MP3play_arrow; comb-filtering from double-monitoring Ex01.06: WAV/MP3play_arrow; and a sub-unity-gain feedback loop Ex01.07: WAV/MP3play_arrow.

  • Audio Impact Of Two Affordable Isolation Transformers: Anything that you put into your signal path has the potential to impact the sound, so if you’re going to use isolation transformers to interface balanced outputs with unbalanced inputs, or to avoid earth-loop problems, then it’s as well to be aware of the extent of the audible difference they might typically make. To give you an idea, here’s an unmastered mix I recorded first through a pair of TRS cables directly into my audio interface Ex01.08: WAV/MP3play_arrow, and then through the two different budget-friendly isolation transformer boxes I mentioned in the book: the ART T8 Ex01.09: WAV/MP3play_arrow and the Ebtech Hum Eliminator Ex01.10: WAV/MP3play_arrow.

Further Reading