December 19th 2018: Preparing for site redesign... Following the recent unwelcome hacker attack, I'm making good progress with a full site redesign which I'm hoping to launch shortly. In the interim, though, I'll still be continuing my monthly multitrack uploads and gradually adding new video content to the Mixing Secrets For The Small Studio resource pages in support of the newly released second edition. If you'd like to assist my ongoing development of this site, please consider joining the Cambridge-MT Patrons. Thanks for your understanding. Mike S.

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Chapter 5: Essential Groundwork

AUDIO FILES (To download all WAV examples at once: 59MB ZIP)

  • Unmixed Multitracks For Practice Purposes: If you're looking for something to use for practicing your mixing, check out the 'Mixing Secrets' Free Multitrack Download Library, which contains 398 projects in a variety of different musical styles. These are free to download for educational purposes, and can easily be imported into any DAW by copying all the WAVs to the same point in the time-line.

  • Vocal Multing Examples: For the majority of the mixes I do I end up multing the lead vocal part so that I can alter its processing to match changes in the song's arrangement, and there's a good example in this Mix Rescue. First compare the two vocal sounds: verse (Ex05.01:WAV/MP3 bp) and chorus (Ex05.02:WAV/MP3 bp). Then listen to how their processing and effects differences make sense within the context of the remix (Ex05.03:WAV/MP3 bp). Another example can be heard in this Mix Rescue. Again, here are the verse (Ex05.04:WAV/MP3 bp) and chorus (Ex05.05:WAV/MP3 bp) vocal sounds, as well as a section of the remix (Ex05.06:WAV/MP3 bp) to show how they contribute to the production as a whole. And a final example comes from this Mix Rescue, where the verse vocal (Ex05.07:WAV/MP3 bp) and chorus vocal (Ex05.08:WAV/MP3 bp) are deliberately contrasted for more artistic effect, as you can hear within the context of the full remix (Ex05.09:WAV/MP3 bp).


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  • Multing In Practice: Here are a few Mix Rescue projects which illustrate a variety of different uses for multing. In this article I ended up multing a large number of parts (including the drums, guitars, and vocals) to reflect arrangement changes between sections, whereas in this article I used more 'micro level' multing, slicing up drum loops into individual hits for separate processing. For this article (from which the screenshot in Figure 5.5 was taken), it was impossible to make any sense of the complex outro vocal arrangement without first multing all the lead and backing vocals into appropriate functional groups.

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